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"Me and Earl and the Dying Girl" sweeps awards while digital companies test waters.
John Wilson has been highlighting the worst of film since "Can't Stop the Music."
After a crippling hack and terroristic threats, Sony has scrapped the comedy.
Is it time to shelve the idea that males aged 18-34 drive big blockbusters?
Hollywood's relationship with the Latino market has always been hit or miss. This weekend, one movie bucked the trend.
Studios rely more and more on teams of heroes and dynamic duos in action films. Is the lone action man a thing of the past?
Chances are, Ben Lashes is the marketing brains behind your favorite viral feline.
The opening of Baz Luhrmann's "The Great Gatsby" will offer moviegoers a look at over-the-top Jazz Age luxury. But for all of Gatsby's glamour, many of the plots of this year's most highly anticipated films hinge on class conflict.
The latest Tom Cruise sci-fi thriller, "Oblivion," hits theaters this week. Will American audiences be in the mood to see it?
Film unions flex muscle in efforts to expand production tax credits
