New text-to-image generative AI tools raise ethical and economic questions for working artists. But some see new business opportunities.
Eliana Marianes of Atlanta has 12 jobs, all related to acting. The creative life “brings out the best in me as a person and as an artist.”
Iranian-born artist, professor and now studio owner Sara Rastegar talks about what it’s like to open a new business.
Tennessee, home to the capital of country music, became the first state to target the unauthorized use of AI to replicate musicians’ voices.
“I got that first chainsaw and, I don’t know, I just felt right at home,” says Taylor White, a chainsaw carver in Maine.
Some Indigenous artists say they’ve never been able to charge what their work is truly worth. Now, rising material costs are eating into profits.
Once their leases are up, New York gallery owners sometimes find that the community they’ve called home for years has transformed, and migrate to a new area en masse. Their latest stop? Tribeca.
Increasingly sophisticated text-to-image platforms are intensifying the debate about what art really is and whether only humans can create it.
Some creators who depend on the app for their livelihoods may have to adapt their marketing methods.
Most guaranteed income programs are geared at disadvantaged populations. These are tied to people’s work.
